La música indetermindada como sistema de comunicación
Through the present article I will attempt to unveil how the phenomenon indeterminate music is, how it works and how it behaves. I will also try to show how the problems in communication, arising from this kind of music, are and how they manifest. Thus, from a correlational study of indeterminate mu...
| Autor Principal: | Restrepo Mesa, Sergio; Pontificia Universidad Javeriana, Bogotá Facultad de Artes Departamento de Música |
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| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Pontificia Universidad Javeriana, Bogotá
2006
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| Materias: | |
| Acceso en línea: |
http://revistas.javeriana.edu.co/index.php/cma/article/view/6434 |
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| Sumario: |
Through the present article I will attempt to unveil how the phenomenon indeterminate music is, how it works and how it behaves. I will also try to show how the problems in communication, arising from this kind of music, are and how they manifest. Thus, from a correlational study of indeterminate music, which conceives it as comprised of dependent variables, I will portray the phenomenon of indeterminate music as a communication system constituted by determinate components. To achieve these objectives, I will approach the indeterminate music work from the concrete (by using examples from the repertoire of this type of music) to the abstract (the work as something ideal and general), I will define the components of the phenomenon of indeterminate music and reveal its functioning through a systematic analysis, I will give answers to the problems originating from the phenomenon of indeterminate music through a prediction analysis, and represent the phenomenon of indeterminate music with a model which will show its structure, functioning and use of chance in relation to its communication goals. |
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