The Circularity in Aura, Mario Lavista's Opera
This article deals with the imagery associated to the creation of Aura, the first opera of the Mexican composer Mario Lavista. In that context, the paper comprises some important moments in the composer’s artistic career, a discussion about the plot and the corresponding musical analysis. The circul...
| Autor Principal: | Aguilar, Ananay |
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| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Pontificia Universidad Javeriana, Bogotá
2005
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| Materias: | |
| Acceso en línea: |
http://revistas.javeriana.edu.co/index.php/cma/article/view/6430 |
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| Sumario: |
This article deals with the imagery associated to the creation of Aura, the first opera of the Mexican composer Mario Lavista. In that context, the paper comprises some important moments in the composer’s artistic career, a discussion about the plot and the corresponding musical analysis. The circularity, a recurrent trait in the composer’s work, encourages the conclusive hypothesis. |
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