Tientos y diferencias de La Guantanamera compuesta por Julián Orbón. Política cultural de la revolución cubana de 1959
An analysis of bibliography, phonograms and scores documenting the genesis of the well–known Cuban folk song Guantanamera, reveals the identity of its true author, and demonstrates the causes of the uncertainty that surrounds the authorship of the famous setting of José Marti’s poem. The author of t...
| Autor Principal: | Gómez Sotolongo, Antonio; Contrabajista, Orquesta Sinfónica Nacional de la República Dominicana. |
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| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Pontificia Universidad Javeriana, Bogotá
2006
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| Materias: | |
| Acceso en línea: |
http://revistas.javeriana.edu.co/index.php/cma/article/view/6433 |
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| Sumario: |
An analysis of bibliography, phonograms and scores documenting the genesis of the well–known Cuban folk song Guantanamera, reveals the identity of its true author, and demonstrates the causes of the uncertainty that surrounds the authorship of the famous setting of José Marti’s poem. The author of this article concludes that the piece is an original creation of the Cuban–Hispanic composer Julián Orbón (1925–1991), rather than Joseíto Fernández, to whom it has been repeatedly attributed.The article concludes as well, that the melody of the tune known as Guajira guantanamera –made famous as a setting of improvised decasyllabic verses, and also attributed to Joseíto Fernández– is completely different from the one used by Orbón, which was the one internationalized by Pete Seeger with Marti’s words.Political causes motivated Cuban government to broadcast (wrongly) that the author of the tune, with words by José Martí, known as Guantanamera is Joseíto Fernández, and that Julián Orbón was responsible only for the setting of Martí’s poem to Fernández melody. |
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