That is How it Happened. Nobody Told Us. Analysis of Visual Artifacts of the «So It Does Not Happen Again » of anfasep in Ayacucho
I present and analyze in this work the presentationsof the internal armed conflict (1980-2000) that struck the communities of thePeruvian south-central sierra with particularstrength and violence. Said conflict is framedin a long history of discrimination andracism, which has characterized the relat...
| Autor Principal: | Sastre Díaz, Camila Fernanda; Universidad de las Américas |
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| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Pontificia Universidad Javeriana
2016
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| Materias: | |
| Acceso en línea: |
http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/15701 |
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| Sumario: |
I present and analyze in this work the presentationsof the internal armed conflict (1980-2000) that struck the communities of thePeruvian south-central sierra with particularstrength and violence. Said conflict is framedin a long history of discrimination andracism, which has characterized the relationshipbetween the State and Quechua-speakingcitizens. This experience is vital to understandthe form and content acquired by thememories of the conflict that these communitieshave, as well as the artefacts that comprisethe exhibition of the memory museums. Basedon an ethnographic field work, I will focuson analyzing and setting in context the objectsfound in the exhibition of the museum «SoIt Does not Happen Again » of the NationalGroup of Kidnapped, Imprisoned, and MissingRelatives of Peru (anfasep) of Ayacucho. |
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