Imágen de Portada

The painting of the holy family. A manual of family relationships in the world of the seventeenth-century in Santa Fe

This article is aimed at evaluating the discourse in paintings of the Holy Family made in the seventeenth-century Santa Fe. From the analysis of this set of images it is demonstrated the use of painting by the Catholic Church as a tool to configure an articulated society from families ruled by princ...

Descripción completa

Autor Principal: Cruz Medina, Juan Pablo
Formato: info:eu-repo/semantics/article
Idioma: spa
Publicado: Pontificia Universidad Javeriana 2014
Materias:
Colonial painting, The Holy Family; Social control; Santafe; Seventeenth century; Colonial society; Church; Colonial religiosity
Pintura colonial; Sagrada Familia; Control social; Santafé siglo xvii; Sociedad colonial; Iglesia; Religiosidad colonial
Pintura colonial; Sagrada Família; Controle social; Santafé século xvii; Sociedade colonial; Igreja; Religiosidade colonial
Acceso en línea: http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/8562
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
Sumario: This article is aimed at evaluating the discourse in paintings of the Holy Family made in the seventeenth-century Santa Fe. From the analysis of this set of images it is demonstrated the use of painting by the Catholic Church as a tool to configure an articulated society from families ruled by principles such as piety, chastity and mortification. The analysis is directly related to the problem of building a colonial subject whose physicality is modeled after the images of Christ, the Virgin or the saints.

Ejemplares Similares