Towards an Archeological Analysis of Images: Modernity and the Cinema in Colombiafrom 1900 to 1960
As a cultural and aesthetic object, fi lms manage to estabIish - like no other artistic expression- deep relations with the contexts and social dynamics where they a re made. This paper aims at exploring, though briefty, the way in which the cinema in Colombia has contributed to the construction of...
| Autor Principal: | Tamayo Gómez, Camilo Andrés; Naciones Unidas para el Desarrollo |
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| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Pontificia Universidad Javeriana - Facultad de Comunicación y Lenguaje
2006
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| Materias: | |
| Acceso en línea: |
http://revistas.javeriana.edu.co/index.php/signoypensamiento/article/view/3682 |
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| Sumario: |
As a cultural and aesthetic object, fi lms manage to estabIish - like no other artistic expression- deep relations with the contexts and social dynamics where they a re made. This paper aims at exploring, though briefty, the way in which the cinema in Colombia has contributed to the construction of Modernity; it also seeks to provide a closer look at the relations that can be establ ished with the socially-built cultural imagi nary. With these two purposes in mind, the first part of rhe paper is devoted to making a brief defin ition of modernity and showing how this trend has evolved in Colombia, while the second part intends to describe how film-making was incorporated into rhe modernization process during a particular period of time, from 1900 to 1960. |
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