Between Image and Thought: an Approach to Gilles Deleuze’s Thought
It is common to consider images as subordinate to thought and its structures. However, Deleuze’s philosophy developed an effort to reverse that assumption. He supports a new possibility of thought, and modern cinematography offers a significant image for this alternative to the extent that it frees...
| Autor Principal: | Cárdenas Maldonado, Juan David; Pontificia Universidad Javeriana |
|---|---|
| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Pontificia Universidad Javeriana
2011
|
| Materias: | |
| Acceso en línea: |
http://revistas.javeriana.edu.co/index.php/vniphilosophica/article/view/11009 |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| Sumario: |
It is common to consider images as subordinate to thought and its structures. However, Deleuze’s philosophy developed an effort to reverse that assumption. He supports a new possibility of thought, and modern cinematography offers a significant image for this alternative to the extent that it frees thinking from the logical structure of narrative cinema. Modern films struggle to find new forms, and their images challenge philosophical thought to become different from tradition. In short, modern cinema frees philosophy from the burden of its own presuppositions. |
|---|