Artistic Creation as Derealization. Novelty and Virtuality in the Aesthetic Thought of Ortega y Gasset
This article shows how the Avant-Garde Artist at the beginning of the 20th century represents for Ortega y Gasset above all a new artistic sensibility: the tendency to dehumanize art. This dehumanized art is a reaction against the popular romantic and naturalistic art. For this, the new art is unpop...
| Autor Principal: | Gutiérrez-Pozo, Antonio |
|---|---|
| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Pontificia Universidad Javeriana
2017
|
| Materias: | |
| Acceso en línea: |
http://revistas.javeriana.edu.co/index.php/vniphilosophica/article/view/15962 |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| Sumario: |
This article shows how the Avant-Garde Artist at the beginning of the 20th century represents for Ortega y Gasset above all a new artistic sensibility: the tendency to dehumanize art. This dehumanized art is a reaction against the popular romantic and naturalistic art. For this, the new art is unpopular. But this is what defines art: to dehumanize, to derealize. The essence of art is derealization, i. e., destruction of reality. This means that aesthetic object for Ortega is a metaphorical object, i. e., an irreality or virtuality. This derealized art involves the escape of reality. Art is a world out of communication with reality because is an irreality. But precisely because art is virtuality, art can increase world. |
|---|