The Formal Ontology of Art
This research raises the possibility conditions of aesthetic experience from the formalsetting of the art objects. Its articulation begins with the classical considerations about the problem of the constitution of reality. The point of the discussion begins with the powerful kantian intuitions about...
| Autor Principal: | Falcón, Luis Álvarez; Universidad de Zaragoza |
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| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Universidad Santo Tomás, Bogotá, Colombia
2011
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| Acceso en línea: |
http://revistas.usta.edu.co/index.php/analisis/article/view/1528 |
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| Sumario: |
This research raises the possibility conditions of aesthetic experience from the formalsetting of the art objects. Its articulation begins with the classical considerations about the problem of the constitution of reality. The point of the discussion begins with the powerful kantian intuitions about the concept of purpose. It brings into the discussion the paradoxical nature of the principle of identity and causality.We interpretthe classical and modern approaches from a phenomenological description. The main thesis of the paper will be: the intimate relationship between the mode of appearing of art objects and the appearance of the artwork. The convergence of this approacheswillshowthat contemporary aesthetic theoryhashighlightedthe critical relationships between logical, aesthetic form and artistic form. Thus we recover the requirement of a formal ontology in which the dynamisms of subjectivity and the way they shape the world are exhibited. |
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