Imagen de la mujer colombiana en el cine ecuatoriano analizado a través de la película a tus espaldas
The film industry is considered the first media to heap all arts forms, showing pieces of reality in times and spaces unimagined, making it in a constant shaper of behaviors, ideologies and values; from entertainment. The mass culture through the media under the economic system, led to a cultural...
| Autor Principal: | Román Penagos, Marcela |
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| Formato: | bachelorThesis |
| Idioma: | spa |
| Publicado: |
2015
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| Materias: | |
| Acceso en línea: |
http://dspace.ups.edu.ec/handle/123456789/9617 |
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| Sumario: |
The film industry is considered the first media to heap all arts forms, showing pieces
of reality in times and spaces unimagined, making it in a constant shaper of
behaviors, ideologies and values; from entertainment. The mass culture through the
media under the economic system, led to a cultural industry altering the
communicative practices to center them into a modern selling method of welfare
desires.
However, the hybridization process or cultural mix in South America allowed the
generation of other forms of filmmaking. The marginality cinema also known as
dirty realism, which basically deals with the disenchantment of life, to show other
less favorable realities. Nevertheless, its overuse blurs the fine line between social
criticisms from commercial advantage.
In that sense, the categories of gender and nation transformed acquiring negative
stereotypes which are continuously reinforced through cinematography, the image of
Colombian women was consolidated within that context in a xenophobic discourse,
sexist and male chauvinist, reflecting the social imaginary full of prejudiced
perceptions.
The example that served as a case of study to analyze the construction of speech and
image, was the film, “A tus espaldas”, Tito Jara’s debut, an Ecuadorian director,
which gave some insight into the naturalization of discriminatory phenomena in a
reproductive cycle and at the same time, generated a greater need, for further studies
on receiving communication, because audiences have cultural mediations and tend to
modify the same message in different ways. |
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