Imaginarios y Estereotipos de Violencia de Género en las Representaciones del Artista Callejero
The objective of this work was to analyze the imaginaries and stereotypes of gender violence that the Ecuadorian street artist Mauricio Estrella, Manicho makes use of in his presentations at “Parque El Ejido” in Quito as a public space. In order to do so, the importance of street theater as a public...
| Autor Principal: | Meza Bernal, Jenniffer Maribel |
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| Formato: | bachelorThesis |
| Idioma: | spa |
| Publicado: |
2018
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| Acceso en línea: |
http://dspace.ups.edu.ec/handle/123456789/15236 |
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| Sumario: |
The objective of this work was to analyze the imaginaries and stereotypes of gender violence that the Ecuadorian street artist Mauricio Estrella, Manicho makes use of in his presentations at “Parque El Ejido” in Quito as a public space. In order to do so, the importance of street theater as a public and free communicative practice whose spectators are passers-by was determined. The research was based on theoretical symbolic interactionism that considers communication as a symbolic social interaction. This is because people manage to communicate through language and other significant symbols to classify the world and learn ways to behave as other people expect them to. This allowed analyzing in the work of the artist Manicho the elements of the communicational process within street theater as a strategy of social interaction. For this analysis, qualitative research of an exploratory and descriptive type was used, making use of interviews and observation as information gathering techniques. It was obtained as a result that in his theatrical speech, the artist Manicho makes use of verbal and non-verbal elements that contribute to the reinforcement, reaffirmation and recirculation of imaginaries and stereotypes of gender violence both in him as an artist and in the audience. It also reaffirmed the importance of public spaces for the expression of street art as scenarios that give identity and character to the city, allowing it to be recognized and lived as a space where collective life becomes every day. |
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