Documental sobre la música eciatoriana en tres interpretaciones contemporáneas y su adaptación a proyectos culturales.
The following thesis constitutes the investigation of three musical groups that have worked the Ecuadorian music with different approaches, being these an unique model of work, since its intention of building an independent product of Ecuadorian music, giving as a result three different productio...
| Autor Principal: | Tobar Flores, Alejandro Efraín |
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| Formato: | bachelorThesis |
| Idioma: | spa |
| Publicado: |
Quito; 2013
2013
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| Materias: | |
| Acceso en línea: |
http://dspace.ups.edu.ec/handle/123456789/4863 |
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| Sumario: |
The following thesis constitutes the investigation of three musical groups that have
worked the Ecuadorian music with different approaches, being these an unique model of
work, since its intention of building an independent product of Ecuadorian music, giving
as a result three different productions, synthesizing its histories in a documentary product.
The thesis undertakes the communication, from the constructivism, the documentary and
relation with the audiences, the Ecuadorian music, and the synthesis of each exponent
proposed to its musical production. The theoretical context permits to conclude with a
final product framed in one documentary, where the interviews, and images determine a
cultural product that express the vision of its author and the work of the musicians
exposed, Tadashi Maeda, Raimon Rovira and Lenin Estrella. |
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