Implicaciones sociales y estéticas de la nueva canción latinoamericana: un enfoque desde la crítica del juicio de Emmanuel Kant
This article consists of three parts. The first explains the rise of, and the concept of, the New Latin American Song from the historical and social conditions that influenced life in the countries of the continent. The second part directly relates the meaning of the New Song's content to sever...
| Autor Principal: | Tipán Pérez, Darío Rubén |
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| Formato: | bachelorThesis |
| Idioma: | spa |
| Publicado: |
2016
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| Materias: | |
| Acceso en línea: |
http://dspace.ups.edu.ec/handle/123456789/11659 |
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| Sumario: |
This article consists of three parts. The first explains the rise of, and the concept of, the New Latin American Song from the historical and social conditions that influenced life in the countries of the continent. The second part directly relates the meaning of the New Song's content to several categories of the critique of the faculty of judgment by the philosopher Emmanuel Kant. And the third part of the article highlights the social reality of the New Song's content that contributes to a critical way of thinking beginning with an aesthetic experience as a universal intersubjective element that produces sensitivity, artistic language, and historical consciousness. |
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