Otredades en el discurso fotográfico de autores contemporáneos.
This paper proposesthrough convergence between semiotics and hermeneutics, the basic guidelines for the creation of a complex analytical model in order to interpret the photographical system considered as a communicative –multidimensional phenomenon among other ledges–, applied to the generat...
| Autor Principal: | Betancourth Moscoso, William Gustavo |
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| Formato: | bachelorThesis |
| Idioma: | spa |
| Publicado: |
2016
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| Materias: | |
| Acceso en línea: |
http://dspace.ups.edu.ec/handle/123456789/12564 |
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| Sumario: |
This paper proposesthrough convergence between semiotics and hermeneutics, the
basic guidelines for the creation of a complex analytical model in order to interpret
the photographical system considered as a communicative –multidimensional
phenomenon among other ledges–, applied to the generation of a non-linear
dynamic conception of the photographic discourse –displayed by the photographic
image–, in its stages of production and consumption as genesics interpretative
conditions and affirmative legitimating of the otherness in the comunication context.
For this purpose, it is propounded to make complex the photographic discourse
through the recovery of the subject in its communicative interaction with otherone.
On this way, the relation between the photographer subject as Mismidad and the
photographed subject as Otredad is considered as the direct dialogical axis in the
production of every photographic image. Recognized and validated this relationship,
it is introduced an analog or indirect axis interpreter/photographer and the
photographed subject in the instance of consumption of the photographic image to
structure the bases of the proposed interpretative system.
Only then both stages of production and consumption project together new
discursive horizons in the interpretive act, with the ultimate aim of become effective
in the application of the model to three study cases. |
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