Análisis de discurso de la música rocolera : desde el poder simbólico.
This academic article is the result of an investigation with communicational approach that is evident how through rocolera music and lyrics feminine reaffirms from the sociological approach to communication; the emotions and realities that arise from the lyrics of the music and rocolera which...
| Autor Principal: | Córdova Cevallos, Cristina Alexandra |
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| Formato: | bachelorThesis |
| Idioma: | spa |
| Publicado: |
2017
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| Materias: | |
| Acceso en línea: |
http://dspace.ups.edu.ec/handle/123456789/13312 |
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| Sumario: |
This academic article is the result of an investigation with communicational
approach that is evident how through rocolera music and lyrics feminine reaffirms
from the sociological approach to communication; the emotions and realities that
arise from the lyrics of the music and rocolera which are evident symbolic violence
are analyzed; but that breed in people through consumption of this genre, which
constantly repeats words that show male dominance and become visible by behaviors
that reflect dominance of men over women.
Seven issues of rocolero genre, interpreted by the Second singer Rosero, were
analyzed, there was found that music has a social function as well as the family,
school, church, etc., which is to reproduce the social structure established where the
woman is dominated by man.
The man dominates based on complex patterns of male domination and which are
attributed differentiated and differentiating features that limit the thought, feeling and
action, on the other hand the social construction of the body will determine roles and
spaces that can access the subject dominant and the dominated subject.
All framed under the research, ethnomethodological and hermeneutics that
contributed to the research and results during the three stages: data collection,
analysis and comparison of texts and interpretation. |
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