Derroteros de la lírica loretana y la escritura poética de Ana Varela
Peruvian literary history, plural and fragmentary, can not be understood as a singlehomogeneous literary system. I believe this has resulted in the Amazonian literature is always delayed or relegated to the official Peruvian literature. Thus, throughout the article, I propose an approach to poetry i...
| Autor Principal: | Molina Campodónico, Ana María |
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| Formato: | Artículo |
| Idioma: | Español |
| Publicado: |
Summa Humanitatis
2012
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| Materias: | |
| Acceso en línea: |
http://revistas.pucp.edu.pe/index.php/summa_humanitatis/article/view/2724/2668 |
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| Sumario: |
Peruvian literary history, plural and fragmentary, can not be understood as a singlehomogeneous literary system. I believe this has resulted in the Amazonian literature is always delayed or relegated to the official Peruvian literature. Thus, throughout the article, I propose an approach to poetry in the context of literature Amazon in Peru, we could say a swift periodization from the study of what I consider the three stages or milestones generating changes in Loreto's poetry: first major milestone, the first stage of the singers of the Amazon, the second milestone, the start of modern poetry in Loreto and, finally, the third I call the stage of consolidation and national recognition. In order to establish the milestones previously raised. I will approach quickly to four authors who will become the representatives and generators of these three stages of change: Fabriciano Hernández Lequerica Germain, Carlos Reyes, respectively. However, within the complex and little known world of the Amazonian literature feature the poetry of Ana Varela Tafur (Iquitos, 1963) to be considered the main female figure in the poetry Loreto, also generating the final phase of major change. For this reason, I present in this article contextualises his poetry and also attempt to draw some coves where you consider your most successful book of poetry, Voices from the Shore (2000). |
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