Exclusions of the canon. Reflections about an Argentinian case: The feuilleton of El Orden from Tucumán (1883-1900)
The literary production that flow in the newspapers of the provinces from Argentina during the end of the 19th Century and the beginning of 20th Century has been poorly studied in comparison with the literature from Buenos Aires and its zone of influence that was considered as the representative lit...
| Autor Principal: | Risco, Ana María |
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| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Universidad Santo Tomás, Bogotá-Colombia
2016
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| Materias: | |
| Acceso en línea: |
http://revistas.usta.edu.co/index.php/hallazgos/article/view/3155 |
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| Sumario: |
The literary production that flow in the newspapers of the provinces from Argentina during the end of the 19th Century and the beginning of 20th Century has been poorly studied in comparison with the literature from Buenos Aires and its zone of influence that was considered as the representative literature of Argentina. We verify this situation in the particular case of province of Tucumán: the scarce interest in the study of the feuilleton of the press and in its consideration as a literary product has made invisible this section for the critics. The present paper analyzes the contradictions in the literary critic about the newspaper serial as a place of literary production and reproduction in Tucumán in this epoch. In this paper we apply the theoretical and conceptual terms of the cultural sociology and intellectual history. The methodology of this study is to analyze the critical arguments about the existence of literary production in Tucumán in 19th Century. Our hypothesis is that exist a metropolitan center (in Buenos Aires) that establishes a literary canon, and that determines its validity for research. The position of the local researchers varies in time from a traditional attitude to the resistance. |
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