El canto de las moscas (Versión de los acontecimientos): Huella de la violencia ocultada contra el ser y el medio ambiente
This article is a pedagogical exercise mediated by a semiotic discursive analysis of The Song of the Flies (version of the events) of the Colombian poet María Mercedes Carranza in which we have explored the roots, conditions and mechanisms of the meaning of poems. We have done this through the analy...
| Autor Principal: | Vanegas Athías, Beatriz; Universidad Santo Tomás Seccional Bucaramanga Poeta y cronista - Magíster en Semiótica - Especialista en Semiótica y Pedagogía de la Lengua Materna |
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| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Universidad Santo Tomás seccional Bucaramanga
2011
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| Acceso en línea: |
http://revistas.ustabuca.edu.co/index.php/ESPIRAL/article/view/111 |
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| Sumario: |
This article is a pedagogical exercise mediated by a semiotic discursive analysis of The Song of the Flies (version of the events) of the Colombian poet María Mercedes Carranza in which we have explored the roots, conditions and mechanisms of the meaning of poems. We have done this through the analysis of the refiguring of the components of a semiosis, in addition to the classification of different types of signs and analysis of its performance at various levels: figurative and axiological semionarrative. This semiotic model is an educational tool for measuring how through the poetic discourse in question, consisting of twenty-four very short poems, in which each song is named after a Colombian population victim of slaughter, has managed a hidden violence against human beings and environment. |
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