Singing as Repair Mechanism in Black Communities, Victims of Violence, the Colombian Pacific: Pottering with Pacific Integration Group
This article is a brief in which the social role transformer singing in ancestral communities Colombian Pacific as a mechanism of social repair, political resistance and autobiographic resilience under the specter of a wealth of cultural knowledge claimed historically present, but always dynamic, th...
| Autor Principal: | Rengifo Carpintero, John Alexis |
|---|---|
| Otros Autores: | Díaz Caicedo, Carmen Helena |
| Formato: | info:eu-repo/semantics/article |
| Idioma: | spa |
| Publicado: |
Universidad Santo Tomás, Bogotá-Colombia
2018
|
| Materias: | |
| Acceso en línea: |
http://revistas.usta.edu.co/index.php/hallazgos/article/view/4338 |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| Sumario: |
This article is a brief in which the social role transformer singing in ancestral communities Colombian Pacific as a mechanism of social repair, political resistance and autobiographic resilience under the specter of a wealth of cultural knowledge claimed historically present, but always dynamic, through the leading role of the singers, specifically in Doña Helena Hines, who act as teachers in the re-significance of their cultural knowledge, to bring young people from social contexts of violence, exclusion and marginalization, under the tonic effect of Canta. In such an effort, the methodology that serves as an epistemological pretext, in order to penetrate into the world of the nonrepresentative, is the decolonial one. With it, it is possible to demonstrate the transforming role of singing at historical level, but even more, at the level of everyday social action. |
|---|